Showing posts with label Oscar and Jim. Show all posts
Showing posts with label Oscar and Jim. Show all posts

Friday, September 28, 2012

Oscar & Jim Comes to Life: “stage it, refine it, then shoot it.” An Interview with Iain Weatherby, Director

Today, Lloydalists is delighted to share our blog space with a guest contributor and fellow Lloydalist, who had an opportunity to interview Iain Weatherby. 

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Hello, Lloydalists!


Since this blog is all about Harry Lloyd and his career, I thought it might be a nice idea to put the spotlight on some of the talented people who have been directly involved in the projects Harry has chosen. I noticed that Harry has been in a couple of short films so I decided to start there. This post will be introducing you to Iain Weatherby, the writer/director of the brilliant 2009 short film Oscar & Jim.
 
Iain Weatherby received his M.A. in English Literature (B.A.-First Class) from Trinity College Cambridge and he is currently a copywriter/creative director/playwright and filmmaker (a.k.a. multi-talented dude)! He gets bonus points for having a great sense of humour. You can check out his personal website HERE.
 
His company ANCHOVY PICTURES is aptly named for being a small fish in a big pond. They released Oscar & Jim, starring our Harry Lloyd and the lovely Charlie Covell. It was their first film! How did this film do? Well, it won Best Short at the Rhode Island International Film Festival in 2009. That’s right, it’s an award winner! Anchovy Pictures is currently in development with their second film, and their first feature, titled Truth Beauty, which was shot around London and rural Poland.
 
I contacted Mr. Weatherby to ask him about directing, making short films, how Harry Lloyd got involved in his film, and what’s next on his agenda. He was wonderfully accommodating and gave very detailed responses to my questions. Here is what he had to say:
 
 
KJ, Lloydalists’ Guest Contributor: How did you end up getting involved in directing?
Iain Weatherby: I lived in Paris when I was in my 20s. I lived in the 15tharrondissement with a rugby player (“lived with” as in “shared a flat with”). I went to Pere Lachaise one day, alone, it was the Autumn, no more than averagely melancholy. I couldn’t find Jim’s grave.  I went home. A decade later I was living in London – as I got out of bed one morning I had the idea for Oscar & Jim before my feet hit the floor. It was pretty much all there straightaway. I like mid period Woody Allen– Manhattan, Crimes & Misdemeanours especially. I also like Whit Stillman’s Barcelona, Wes Andersons’s Rushmore and Lukas Moodyson’s Together – and immediately conceived this idea as a short film in that broad tradition.  
 
 
KJ:  What do you think is the best part about being a director?
IW: They say you make the film three times - when you write it, when you shoot it and then when you edit it. The most fun is probably editing for me. Shooting is stressful. Writing is something I do every day. 
 

KJ: What is it that drew you to short films? What do you enjoy about them?
IW: These days anybody can make a film—all you need is a good idea and determination. The restrictions—of budget, length, production values—are actually liberating. That’s the paradox. Anybody can make expensive crap. I love intelligent inexpensive films that turn limitations into something surprising and original. In Europe I love the simplicity of Bresson-influenced filmmakers like Michael Haneke and the Dardennes brothers. In America Alexander Payne is pretty terrific, while my hero is probably Charlie Kaufman. They all avoid genre and cliché, the twin curses of most “product” offered to the public (“don’t say ‘industry’”).
 

KJ: How did Harry Lloyd get involved in your film? What was it like working with him?
IW: When we did Oscar & Jim as a play, Charlie Covell was Emma and Gareth David-Lloyd (another very good actor) played Gerry. Gareth couldn't make the Paris trip so we needed a Gerry. Charlie was at Oxford with Harry – I think they had been in plays together – and recommended him. We had a pint in a pretty nasty pub just north of Oxford Circus. Harry I remember drank cider. We were on.
 
Because the shoot was to be so short (three days) and “guerilla” style – in the middle of the City with the graves for sets and the population for extras – we decided to rehearse fairly intensively before we set off. Harry and I met in Bunhill Fields – a famous cemetery in the City of London, where John Bunyan and many others now reside. We talked about life and death and whatnot.
 
Charlie and Harry came down to my house in Dorset. I booked the village hall and we rehearsed in there for a couple of days. I gave them a budget to find their own costumes and we met at St. Pancras on the Eurostar platform. Paul Fenwick co-directed and produced. Martin Lightening was DoP [Director of Photography] –a very experienced documentary maker so we listened to Martin a lot. Martin Wilson did the sound – it’s all live sound – not redubbed in the studio afterwards – even the stuff on the train and in the Gare du Nord. Back at the controls Simon Bryant was our editor and Sarah Llewellyn wrote and recorded the music.
 
Both Charlie and Harry were excellent – had the lines cold, were intuitive,experimental, fast. We wrapped somewhere inside the Channel Tunnel and then hada celebratory. They both helped with publicizing the film afterwards – doing interviews etc. Charlie came with Paul and [me] to Providence, R.I., where we won a good award at an Oscar-qualifying fest. Unfortunately we had to get a plane back to London so missed the awards presentation.


KJ: What’s up next for you?
IW: I have a new play called Rollers. It's a dialogue between the left and right hemispheres of the brain – inspired by Iain McGilchrist’s wonderful book The Master and his Emissary – but it all takes place on bicycles. It's another two-hander sowe will try to follow the Oscar & Jim MO—stage it, refine it, then shoot it. Abbey Wright will direct it on stage and Paul Fenwick and I will share directing duties when we film – with luck next summer (2013). I have also been working with Charlie Covell – who as well asacting is a comedian and writer – on a TV series called Boomers.
 
If you haven’t seen Oscar & Jim (what are you waiting for?!) you can view it at www.oscarandjim.com.If you have seen it and loved it and would like to show your support for Anchovy Pictures and their continued quest to produce quality films for our viewing pleasure than you can purchase a copy of it on DVD. I did. It’s not expensive and they have USA/Canada friendly versions available. Mr. Weatherby even includes a little note along with it! A nice personal touch! You can see the picture below.
 
Mr. Weatherby also welcomes any questions you may have and says you can contact him at his email address Iain.Weatherby@gmail.com. I think this is an awesome thing for him to do and I know I am appreciative of his taking time from his busy schedule to respond to questions! He gets bonus points for that, too!
 
So there you have it folks!  Please check out his websites and films/projects and show some love!
 
Thanks,
KJ (a fellow Lloydalist)
@Heyyyblondie on Twitter

 

 
Above: Personal note from Iain Weatherby, director of Oscar & Jim, among the short film’s related “loot.” Image © KJ.


 

Work Cited


Oscar & Jim. Dir. Iain Weatherby.Perf. Charlie Covell and Harry Lloyd. Anchovy Pictures, 2009. Oscarandjim.com. Web. <http://www.oscarandjim.com/watch/part01.php>.Film Short.

 
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Many thanks to Iain Weatherby for his time and interest, as well as to KJ for her continued interest in Lloydalists, field-work, and interviewing prowess.

Lloydalists is always interested in outside contributors.  If you’d like to contribute, or get more information, please email us at Lloydalists@gmail.com.


 

K&C, Lloydalist Co-Founders and Administrators

 
 

~Written by Lloydalist guest KJ; Edited by C; Posted by K~

 

Sunday, June 10, 2012

Harry Lloyd: Master of Disguises & Surprises

A silent-yet-strong outcast good with a carpenter’s toolbox and better with the ladies than the rest of his Merry Men cohorts…not to mention a mean punch when necessary (Robin Hood). A British tourist singing high-pitched renditions of The Doors’ music while lost in France’s Pere Lachaise Cemetery and swears he knows the difference between biscuits and cakes (Oscar & Jim).  A manipulative, unstable, sniveling, disarming, and downright creepy blonde obsessed with dragons, his sister, and a golden crown (Game of Thrones). The endearing, bumbling young romantic and real-life figure Denis Thatcher (The Iron Lady). A rogue-turned-reliable best friend whose charming naïveté, love-struck enthusiasms, and infectious delight (at dancing with his male friend whom he’s teaching to waltz) warms your heart (Great Expectations). The characters on this list of diverse figures have a single basis of comparison: the actor beneath the personas.

It’s easy to struggle to find that single word to describe the naturally dark-haired, tall, lanky, green-eyed Harry Lloyd’s acting, but “versatile” may be as close as you can get.  And “talented.”

He’s also a master of disguises—altering his looks, his voice, his mannerisms, and his overall character.  One minute, he’s donning a shoulder-length bleached-blonde wig, dragging whores, hissing horrible misogynistic atrocities, and tackling his pregnant sister while commanding, “you do not talk back to me!” (among worse things) in Game of Thrones. The next, he’s making you crease with laughter via irreverent comments like “you binned your budgie?!” or suggesting he’s willing to have “relations” in a cemetery in Oscar & Jim.  He can contort his face in a smile that looks awkwardly beautiful one second; disarmingly dastardly the next; entertainingly ambiguous moments later.  His laugh is as equally infectious as it can be sinister.  And he has a half-cocked head-quirk that may as well be considered his “signature look”—adapted to fit the role he happens to be playing at the time, somehow managing to suit either nice or nasty.
Above: Harry Lloyd as Will Scarlett in Robin Hood (circa 2006)
© BBC/Tiger Aspect



Harry Lloyd, born November 17, 1983 in London, England and the great-great-great-grandson of Charles Dickens (yes, that Dickens—the lineage is on his mother’s side), may not yet be a household name but his slow-yet-steady ascent towards the celestial skies of stardom seems to be gaining stamina of late.  He hasn’t used his “famous” ancestry in his favor, either. Although he got his start in 1999’s David Copperfield playing the roguish Young Steerforth, he did not reveal his Dickens connection while being considered for the part.  But he has not shunned his roots, either.  He studied Dickens in school—he attended Eton and then graduated from Oxford, where he studied English Literature, in 2005—and, of course, returned to his ancestor’s milieu by playing the aforementioned Herbert Pocket in 2011’s Great Expectations.  (Arguably, he would have played a marvelous Pip but, alas, it was not meant to be!)


Left: Harry Lloyd as Viserys Targaryen in Game of Thrones (2011)
© HBO Productions 

Recently, Lloyd has wrapped up his role as Ferdinand, the treacherous, incestuous brother of the eponymous The Duchess of Malfi in John Webster’s play.  The show ended on June 9, 2012, after a several months’ run at London’s Old Vic Theatre.  Malfi received mostly strong, positive reviews, notably due to the acting, particularly of leading lady Eve Best. Lloyd’s presence on stage was not overlooked, either. One Variety critic noted earlier this year that the actor’s “trimmed text delivers all the play's horrific set-pieces and high body count. To his immense credit, however, he unfashionably refuses to deliver a thrill-ride; instead he's intent on delivering a more morally responsible vision. His staging of the duchess's murder by strangulation takes a horribly long time, leaving no doubt about the appalling nature of the act” (Benedict). Clearly, Lloyd has no trouble being treacherous on stage or screen, as his past roles illuminate. But he’s also completely comfortable with playing the simple-minded, the sincere, and the sympathetic.  And he’s believable in such roles.

Right: Harry Lloyd as Ferdinand in The Duchess of Malfi (2012) at London’s Old Vic Theatre
From: “Stage Photos.” Harry Lloyd Source. Harry-lloyd.com. 7 April 2012. Web. 10 June 2012. <http://harry-lloyd.com/>.

For instance, at his finest, Robin Hood’s Will Scarlett is a sincere, passionate soul who “speaks” through his savvy carpentry skills and his sympathy for others.  “What happens to loved ones you leave behind?!” he charges his less-altruistic comrades in one episode of Robin Hood; in another, he’s cradling a baby with the natural grace of a father; and he seems the only lad smart enough to recognize a woman in poor boy’s rags (racheyrach07).  He stands up for his family, he protects others, and he’s one of the few men of the gang bold enough to say the word “love”—and to do something about it.

So how does one young actor, still in his twenties, manage to channel a Machiavellian persona one instance and a humanely human one the next?

Unpacking such a question is where Lloydalists takes its cue.  In this blog, and our associated Twitter account (@Lloydalists), we follow, evaluate, and celebrate the work and career of actor Harry Lloyd.  Lloydalists is not about incessant idol-worship or random bursts of giddy droning; here, we discuss Lloyd respectfully and, hopefully, with a little more refinement than may be found elsewhere.  Our goal is to chart the accomplishments and “great expectations” of a promising young star whom, we feel, is worthy of support, admiration, and loyalty.  Will there be bursts of enthusiasm, excitement, and energy?  Certainly!  But we hope to share our jubilations through the latest information, documented sources, and news articles we can find—and via the most thoughtful and thoughtfully-written musings we can muster.

Please join us in our admiration.  If you have a story to share—anything from a news article to a personal anecdote—about Harry Lloyd, feel free to contact us at Lloydalists@gmail.com, if you’d like us to consider sharing it with others. Also, if you like what you find here, spread the word and follow us on Twitter.  Think of Lloydalists as something like Robin Hood’s gang of lads (minus the stealing-from-the-rich part), uniting in a common cause and looking for something to believe in—or, rather, someone whom we believe deserves attention and support.

We hope that you will continue to read and participate in discussions on the Lloydalist blog as we, too, continue to grow in our endeavors.

Above: British actors Harry Lloyd and Jodie Whitaker, presenters at the 2012 Olivier Awards.
From: “Galleries.” The Olivier Awards. The Society of London Theatre. 2012 April. Web. 10 June 2012. Olivierawards.com. <http://www.olivierawards.com/galleries/>.







Works Cited and Referenced

Benedict, David. “The Duchess of Malfi.” Stage Review. Chicagoribune.com. 30 March 2012. Web. 7 June 2012. <http://articles.chicagotribune.com/2012-03-30/entertainment/sns-201203301254reedbusivarietynve1117947321mar30_1_bosola-ferdinand-duchess>.
David Copperfield. Dir. Simon Curtis. Perf. Daniel Radcliffe, Maggie Smith, Ian McKellen, Emilia Fox, Pauline Quirke, Harry Lloyd, et al. BBC Productions. 1999. Film.
Game of Thrones. Dir. Alan Taylor et al. Perf. Harry Lloyd, Lena Heady, Peter Dinklage, et al. HBO, 2011-Present. TV Series.
Great Expectations. Dir. Brian Kirk. Perf. Douglas Booth, Vanessa Kirby, Gillian Anderson, Mark Addy, Harry Lloyd, et al. BBC Masterpiece. 2011. TV Miniseries.
“Harry Lloyd (I)—Bio.” The Internet Movie Database. IMDB.com. Web. 9 June 2012. <http://www.imdb.com/name/nm0516003/bio>.
Oscar & Jim. Dir. Iain Weatherby. Perf. Charlie Covell and Harry Lloyd. Anchovy Pictures, 2009. Oscarandjim.com. Web. <http://www.oscarandjim.com/watch/part01.php>. Film Short.
racheyrach0. “Will Scarlett’s Best Bits.” YouTube.com. 18 June 2007. Web. 9 June 2012. <http://www.youtube.com/watch?v=YU69nq4Vu1c&feature=related>.
Robin Hood. Dir. Matthew Evans et al. Perf. Jonas Armstrong, Gordon Kennedy, Sam Troughton, Richard Armitage, et al. BBC/Tiger Aspect, 2006-2008. TV Series.
The Iron Lady. Dir. Phyllida Lloyd. Perf. Meryl Streep, Jim Broadbent, Alexandra Roach, Harry Lloyd, et al. Pathé International and Universal, 2011. Film.


~Written & Posted by C~